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Contemporary Visual Culture and Art

2025 Vol.1 No.1

Article Article ID: 100662 1–22

Design Principles for AI-Assisted Filmmaking: Lessons from ‘Our T2 Remake’ and Beyond

by Vincenzo De Masi, Qinke Di, Siyi Li, Yuhan Song

668 (Abstract) 604 (Download) PDF

June 2025, DOI: 10.63385/cvca.v1i1.60

Abstract:The integration of Artificial Intelligence (AI) in video production represents a fundamental transformation in creative workflows, production methodologies, and content distribution. Through a comprehensive review centered on Our T2 Remake (OT2R) — a groundbreaking 2024 collaborative reinterpretation of Terminator 2: Judgment Day by 50 artists using generative AI — this article examines how emergi... More >>
Article Article ID: 100687 23–36

An Exploration of the Impact of Generative AI Video on Historical Learning Motivation in Digital Textbooks

by Soonkyu Jang, Mingyu Ha, Damin Kim, Jeongwoo Bae, Jaehwan Yun, Junho Hwang

268 (Abstract) 264 (Download) PDF

June 2025, DOI: 10.63385/cvca.v1i1.88

Abstract:This research focused on examination of the advantages and possibilities of AI digital textbooks using Generative AI at the present time when printed textbooks are completely replaced by the digital textbooks. Previous studies have proposed that historical content games have a positive effect on intellectual curiosity and acquiring knowledge, and the visual stimuli of dynamic images of games have ... More >>
Article Article ID: 100630 37–53

Generative Visions: AI, Human Imagination, and the Future of Art

by Zarif Bin Akhtar

1184 (Abstract) 893 (Download) PDF

June 2025, DOI: 10.63385/cvca.v1i1.23

Abstract:This study critically examines the evolving relationship between Artificial Intelligence (AI) and contemporary art, exploring how computational systems are reshaping concepts of creativity, authorship, and aesthetic production. Tracing key historical developments—from Harold Cohen’s pioneering AARON program in the 1970s to contemporary practices employing deep learning and Generative Adversarial N... More >>
Article Article ID: 100697 54–67

Generative AI as a Philosophical Mirror: Machine Hallucination and the Aesthetics of Algorithmic Representation

by Muhammad Saddam Khokhar, Misbah Ayoub, Zakria

525 (Abstract) 371 (Download) PDF

June 2025, DOI: 10.63385/cvca.v1i1.98

Abstract:This case study delves into the unresolved philosophical complexities of representation in contemporary visual arts, using Refik Anadol’s Machine Hallucination series (2019–present) as a pivotal lens. By harnessing artificial intelligence (AI) to create immersive, data driven installations, Anadol’s work disrupts traditional notions of representation, authorship, agency, and viewer engagement with... More >>
Article Article ID: 100779 68–78

Visual Art and Artificial Intelligence: Tensions between Ethics, Aesthetics, and Authorship in the Algorithmic Age

by Diego Bernaschina

1448 (Abstract) 499 (Download) PDF

June 2025, DOI: 10.63385/cvca.v1i1.189

Abstract:This article examines the impact of artificial intelligence (AI) on the visual production of contemporary art, generating debates about authorship, creativity, and aesthetic legitimacy, while addressing the ethical and labor implications of automated creation. The main objective of this research is to explore the perception, production, and philosophical implications of AI-generated visual art, wi... More >>

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