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2025 Vol.1 No.1 cover

Open Access · 2025

2025 Vol.1 No.1


Contemporary Visual Culture and Art

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Table of Contents

5 articles
ArticleOpen AccessPublished: 22 July 2025

Design Principles for AI-Assisted Filmmaking: Lessons from ‘Our T2 Remake’ and Beyond

Vincenzo De Masi, Qinke Di, Siyi Li, Yuhan Song

Contemporary Visual Culture and Art · 1–22 · 10.63385/cvca.v1i1.60

The integration of Artificial Intelligence (AI) in video production represents a fundamental transformation in creative workflows, production methodologies, and content distribution. Through a comprehensive review centered on Our T2 Remake (OT2R) — a groundbreaking 2024 collaborative reinterpretation of Terminator 2: Judgment Da

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ArticleOpen AccessPublished: 24 July 2025

An Exploration of the Impact of Generative AI Video on Historical Learning Motivation in Digital Textbooks

Soonkyu Jang, Mingyu Ha, Damin Kim, Jeongwoo Bae, Jaehwan Yun, Junho Hwang

Contemporary Visual Culture and Art · 23–36 · 10.63385/cvca.v1i1.88

This research focused on examination of the advantages and possibilities of AI digital textbooks using Generative AI at the present time when printed textbooks are completely replaced by the digital textbooks. Previous studies have proposed that historical content games have a positive effect on intellectual curiosity and acquir

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ArticleOpen AccessPublished: 28 July 2025

Generative Visions: AI, Human Imagination, and the Future of Art

Zarif Bin Akhtar

Contemporary Visual Culture and Art · 37–53 · 10.63385/cvca.v1i1.23

This study critically examines the evolving relationship between Artificial Intelligence (AI) and contemporary art, exploring how computational systems are reshaping concepts of creativity, authorship, and aesthetic production. Tracing key historical developments—from Harold Cohen’s pioneering AARON program in the 1970s to conte

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ArticleOpen AccessPublished: 15 May 2025

Generative AI as a Philosophical Mirror: Machine Hallucination and the Aesthetics of Algorithmic Representation

Muhammad Saddam Khokhar, Misbah Ayoub, Zakria

Contemporary Visual Culture and Art · 54–67 · 10.63385/cvca.v1i1.98

This case study delves into the unresolved philosophical complexities of representation in contemporary visual arts, using Refik Anadol’s Machine Hallucination series (2019–present) as a pivotal lens. By harnessing artificial intelligence (AI) to create immersive, data driven installations, Anadol’s work disrupts traditional not

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ArticleOpen AccessPublished: 16 June 2025

Visual Art and Artificial Intelligence: Tensions between Ethics, Aesthetics, and Authorship in the Algorithmic Age

Diego Bernaschina

Contemporary Visual Culture and Art · 68–78 · 10.63385/cvca.v1i1.189

This article examines the impact of artificial intelligence (AI) on the visual production of contemporary art, generating debates about authorship, creativity, and aesthetic legitimacy, while addressing the ethical and labor implications of automated creation. The main objective of this research is to explore the perception, pro

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